Silo impressions: Apple’s new show is at its best when it’s a mystery

Personal, I am always interested in hearing about shows like Silo, I get real jazzed. I’m a city kid mostly, and silos? It’s like Stonehenge. Are there buildings that are only used for missiles or grains, depending on local economies? It’s pretty wild. Get this, though: In Apple TV Plus’ SiloPeople Enjoy a live-in-one. Why? Well, that’s sorta the mystery. It’s not easy. SiloThe first thing it does is to try and solve it in one manner, but then it changes its mind.

The two versions are essentially the same. Silo. Apple TV Plus is currently showing the first episode. The episodes tell you about a group of people living in a silo buried 144 meters deep underground. The outside world, they’re told, is toxic, and to survive in the silo they abide by all sorts of byzantine rules.

No one speaks about the past. Even pre-apocalypse objects are forbidden (you may find it hard not to laugh when characters regard a Pez dispenser like it’s the Necronomicon); among the gravest crimes one can commit is simply You can say that They want to be outside. If you do, they’ll give you the worst punishment they can think of, which is sending you outside. It’s a death sentence with a chore attached: To clean the camera that serves as the community’s window out to the wasteland, and then to die from the poison in the atmosphere.

Apple TV Plus

Or that’s what everyone’s told. Silo’s opening pair of episodes follow Allison (Rashida Jones), a woman who services the silo’s IT, and her husband Holston (David Oyelowo), a sheriff, as they independently come to believe that the outside world may not be the wasteland they’ve been told it is. Finally, they leave.

It sets the expectations that Silo might be interested in what’s actually out there, when really it’s not. Like me, some viewers might find it frustrating. Beyond the show’s pivot back towards the silo after spending so much time following characters who’ve been wondering about what’s There are many ways to get out and aboutThe first two episodes are overly complex. They jump between different timelines, when a simple linear story would have been just as engaging.

But after peering into the future via the screeners provided by Apple, I can tell you that the show then becomes something else: A procedural in which Juliette (Rebecca Ferguson), a mechanic-turned-sheriff, has to solve a shocking murder.

That’sA show I enjoy. A procedural in an unusual setting is catnip to me — the familiar rhythms of detective work applied to genre fare is a great way to slowly introduce a novel setting without heaps of exposition, introducing new fantastic elements as a case progresses. However, Silo The following are some of the reasons why you should consider hiring someone elseThe show is full of lots of exposition. In fact, the first two-and a-half hours are world-building exercises.

Apple TV Plus

You may find that this mode is appealing to you. Silo has plenty to draw from, as it’s based on a series of books by Hugh Howey. They’ve been lovingly adapted in the show’s rich set design, and a cast comprised of remarkably talented actors who play everything deadly serious. Fans of the mythology genre will find plenty to enjoy in Silo’s premiere, as every scene is shot through with an undercurrent of something awful that happened before the show started — much like early Game of ThronesIt’s a little less busy.

But I can’t help but think about how much more immediately interesting SiloWould it be better to start with the third episode, introducing us with a mechanic reluctantly taking on the position of sheriff to find out a secret? She would then take us with her.