Read Hbomberguy’s short comic about the origins of the word Luddite

If I say the word “Luddite,” you’re probably imagining someone who stubbornly refuses to get a smartphone. That’s what came to my mind, at least, until I took a peep at these first five pages of Harry “Hbomberguy” Brewis and Skutch’s short comic for Failure to Launch: The Tour of Ill-Fated Futures.

In space, no one can hear you scream — but that doesn’t stop an evil-doer from trying. Polygon will celebrate sci-fi villainy every week this week.

Failing to Launch is the newest crowdfunded anthology from Iron Circus Comics, featuring over 300 pages of short comics from dozens of creators, including Ryan North, Blue Delliquanti, and Evan Dahm, all telling “tales of what could have been, but wasn’t: planned utopias in space, wild inventions, attempts to improve society, robot pets, and predictions of armageddon.”

In Brewis and Skutch’s short, “The First Union,” they relate the historical story of the Luddites, one of earliest trade unions of the industrial era, and their (literally) legendary leader Ned Ludd. Ludd was a figure the Luddites adopted half as a joke — and that the titans of England’s textile factories adopted as their ultimate villain. His name has become synonymous with the bullheaded, shortsighted refusal of the innovative and to embrace the future.

“We end up with the idea some weirdos decided technology was evil and started hitting it with sticks,” Brewis, who penned the short comic, told Polygon via email, “which is so comically absurd this mental image becomes an easy comparison to use against criticism — If you think it’s ‘bad’ we stole millions of artists’ work and fed it into our computer so it can spit out art similar to theirs on command, you are a crazy person who is against progress, just like those guys.”

“‘Those guys,’” said Brewis, “were relatively educated people for their time who, correctly, saw the end of their way of life coming, and the new life the people creating it had in store for their workers. The writings of the Luddites are often unexpectedly hopeful about the future — Perhaps we can make this technology more valuable than the lives of many people living in poverty or working at a factory trying to kill them..

“It’s weirdly comforting to me to see how little powerful people’s playbook has changed over the centuries,” wrote Skutch, whose art graces the pages of “The First Union.” “Their only tools are lies and violence.”

An introduction to a comic about early proto-labor unions and their struggles against early industrialization.

The capitalist quest to automate without consideration for workers is alive and well, according to both writer as artist. However, it takes on a different form today.

“The differences [between industrial automation and automation by machine learning] are what gives me hope that modern artists will make out better than the Luddites,” Skutch said. “What’s being sold with digital art is less the finished product of a digital artwork and more the illusion that one has created art. Luddites were fighting for the right to use material goods that had important applications across all aspects of the economy. AI advocates the belief that any person can make art and receive praise without the need to learn how to draw. […] Of course the other lesson the Luddites have given us is that direct action works and sledgehammers are surprisingly easy to come by.”

A quartet of people leap from a large toppling robot, as it goes up in flames, on the cover of Failure to Launch.

Image: Roderick Constance/Iron Circus Comics

But Brewis notes that while sledgehammers can treat the symptom, they can’t touch the cause.

“We need the wider solutions offered by the Luddites themselves at the time, who thought about the potential good outcome of the industrial revolution — a world where mass-production works for everyone, not mostly for the people who own the factories. Forgive me for reaching for the ‘fully automated luxury communism’ button, but it is a very shiny button (and, of course, bright red).

“In a world where most artists were not struggling to make ends meet as it is, because all people’s basic needs were met (which isn’t impossible in the slightest), an AI making something using your work as an input would be close to harmless, if not fascinating in itself. Until we fix the world around it, this stuff and all its potential is doomed to be hated, recognised (correctly) as a thief of the work people do to survive.”

You can read the rest of “The First Union” and over two dozen other stories in Failure to Launch: The Tour of Ill-Fated Futures. Backerkit is currently live with the anthology and it will stay so until March. 9 p.m. Pacific Time

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