Other Ever Afters makes fairy tales subversive, kinder, and queerer through comics

There are other ever afters Melanie Gillman’s new graphic novel collection of fairy tales, queer people find happiness, community, and kindness. It feels almost revolutionary, updating fairy tales’ traditional mores, using fantasy and folklore as a space to imagine something better than the familiar good-versus-evil binary that often defines fairy tales as we know them today. It is beautifully illustrated and completely unique. Others Ever AftersIt feels like an honest, funny and heartfelt antidote for the typical straight-laced whitewashed happy ever afters. As Gillman told Polygon in an interview to celebrate the book’s release, that’s exactly the point.

Others Ever AftersIn 2016, a fairy tale was created to celebrate 24-Hour Comics Day. This annual challenge brings together comics creators. “The first time I did one, it was kind of on a lark,” Gillman says. “There was a local group of cartoonists in Denver, where I was living at the time, and we were gonna get together and do a 12-Hour Comics Day, which is essentially the same thing as 24-Hour Comics Day, but cut in half, as we like sleeping and we don’t want our wrists to fall off.”

During the planning for that community gathering, Gillman began to visualize the first in their queer fairy-tale series, “The Fish Wife.” “I thought, A 12-page comic could be done in twelve hours. And decided to do a little short fairy-tale-style comic about a mermaid who falls in love with a depressed middle-aged peasant woman, and then they get married, and it’s great!”

Mel Gillman

Gillman’s comic went viral in comic book communities, and not just because of the dark, memorable, yet warm twist on fable understandings of mermaids and monsters. It was also helped by Gillman sharing the story with his followers. As with most 24-Hour Comics projects, Gillman posted the pages one at a time on Twitter, in a thread that allowed people to “watch live” as the story progressed. Gillman wasn’t expecting the huge reader response that followed.

“People really, really liked the story, and also really enjoyed getting to watch it update live over time,” Gillman says. “It’s like a really crunched-down, condensed webcomic. It was a great response. It was so great! Oh hell, I’ll keep doing this, then!”

Gillman’s queer fairy tales became somewhat of a 24-Hour Comics Day tradition. “Every year, I would try to come up with a short little fairy-tale romance-type comic, something I could do in about a day or two. And I’d post it live.”

These are the seeds of Others Ever Afters had been sown, but the book wasn’t born until 2019 and the success of Gillman’s comic Hsthete. This story introduces the reader to Hsthete, the Goat Goddess who is the god of mishaps. Hsthete helps a woman to end her unhappy betrothal. The Goat Goddess creates new types of happiness. It’s a perfect example of what makes Gillman’s imaginative stories so special. Hsthete caught the attention of Random House, which “slipped into [Gillman’s] DMs” and suggested creating a collection of new, queer fairy tales.

Mel Gillman

Gillman was thrilled by the idea. “The idea of getting to turn it into a classic-style fairy-tale collection, the kind of thing you’d find on your grandmother’s bookshelf when you visit, really appealed to me,” they say.

Also Others Ever Afters was born, collecting Gillman’s original four 24-Hour Comics Day stories and three entirely new ones that have “never been seen before by the internet.”

Gillman’s fairy-tale comics have been published online — Gillman says they’ll continue to be available as webcomics — and have been printed as zines, sold at conventions and shows. But they’ve never been available in book form. For Gillman, the new format offers a greater context, and they can’t wait for readers to experience the way the stories relate to each other when published together.

“I think the thematic connections between the stories become much more clear when you’re able to sit down and read them in one setting,” they say. “I also thought a lot about the intro and conclusion for the book, to illustrate some of the thematic concepts that tie the collection together as a whole.”

These themes are the basis of stories. Others Ever Afters so powerful. Gillman wanted fairy stories, but they also desired to provide a place of escape and compassion, not the usual bleak warnings. “A lot of fairy tales are cautionary tales,” they say. “Like, Oh, here’s a character who did a bad thing, and then they were punished for it.As queer individuals, I believe we get plenty of this. Maybe it’s bad to be a person like this. You might have been better off making different decisions. And now we’re going to read about the ways in which the universe punished you for your decisions.”

Gillman didn’t have any interest in scolding comics readers. “As a storyteller, I wanted to take a more compassionate bent to the way I was structuring these fairy tales, especially since these are all centered on queer people, and the relationships and communities that queer people build with each other,” they say.

Mel Gillman

“So rather than punishing any of these characters for very understandable human wants and needs, oftentimes I tended to shift the blame more onto the social structures surrounding them, to point out the ways in which the societies around them are failing them, or are maybe not structured in a way that would allow them to thrive as queer people. They can choose not to be punished for what they need and how they are perceived. And they have the right to go out and find better places for themselves.”

Protagonists’ search for somewhere they belong and can thrive is key to many of the tales in Others Ever Afters. “I think one of the themes that connects a lot of these stories is not just the longing for queer romance and queer sexuality, but also a longing for queer community, and looking for new ways of living in community with each other that extend beyond the family unit, or partners, or anything like that,” Gillman says. “Looking for broader social landscapes that would be supportive and beneficial for these characters. So, yeah, overall just taking a much more compassionate look at these characters and their lives than you often see in a lot of fairy tales.”

Others Ever Afters The stories are charming, and the story has the familiar tropes that make fairy tales appealing. The collection really does feel like it could become a staple fairy-tale collection on readers’ bookshelves, alongside volumes of the Brothers Grimm and their timeless tales.

Gillman is overcome with excitement at the idea. “Oh, gosh, that’s the dream right there,” they say. “I would love it if some copies of these books are still kicking around decades from now, and people are finding them on their parents’ or grandparents’ bookshelves. Sometimes, every now and again, I like to visit the 1900s fairy-tale shelf when I walk into an used bookstore. One day my book might end up amongst those old, dusty books, many decades in the future. If that ends up happening, I’d be very happy.”

New Queer Fairy Tales

Price at publishing time.

Once upon a time… happily ever after turned out differently than expected. In this new, feminist, queer fairy-tale collection, you’ll find the princesses, mermaids, knights, barmaids, children, and wise old women who have been forced to sit on the sidelines in classic stories taking center stage. Beautiful graphic novels from an award-winning Stonewall Honor author.