20 sci-fi and fantasy books we can’t wait to dive into this summer

It OtherSummer blockbuster season has arrived. Some of the year’s biggest science fiction and fantasy books are hitting shelves over the next four months, including new titles from Ken Liu, Holly Black, and Ruthanna Emrys. Megan Giddings, Akil Kumarasamy and Georgi Gorspodinov, all well-known genre-stretching writers, are back to provide new insights, along with a host of fresh debut authors.

Whether you’re looking for a quick fix to devour in a single weekend or an epic tome to pore over for months, here are the 20 best science fiction and fantasy books coming your way in May, June, July, and August 2022.

The cover of Jennifer Saint’s Elektra, with the profiles of three people with long hair on an orange background.

ElektraJennifer Saint (May 3).

Fans of Madeline Miller’s Circe and Margaret Atwood’s The PenelopiadThis reimagining will draw you in. Iliad that zooms in on Helen of Troy’s niece, Elektra. It’s another gripping historical fantasy in the vein of Saint’s debut novel, Ariadne, but this time she expands the focus to include two additional women: Elektra’s mother, Clytemnestra, and her father Agamemnon’s mistress, Cassandra.

The cover of The Immortal King Rao, featuring a group of uneven concentric circles and a silhouette facing upwards.

Vauhini Vaura, an ex-Wall Street Journal tech reporter, is the first to write a science fiction book. This stunning and nuanced novel about memory, capitalism and climate change shows how few people have done that. It’s the story of a South Indian child who grows up to become the most powerful man in the world — first as the CEO of a tech company, then as the leader of an international corporatocracy — and gives his daughter access to his memories in a desperate attempt to save the planet.

The cover of Book of Night by Holly Black, with a half-moon set against a black and blue background.

Co-author Spiderwick Chronicles is back with her first novel for adults, a dark fantasy set in a world that could be our own if it weren’t for “shadow magic” and the “gloamists” who study it. When a 28-year-old thief named Charlie Hall finds a dead man whose shadow has been torn to shreds, she goes on an adventure to look for a missing magical text — the titular Book of Night.

The cover of Time Shelter by Georgi Gospodinov, translated by Angela Rodel. Illustrative color-blocking in the shape of a face with round galsses.

Time ShelterGeorgi Gospodinov was translated by Angela Rodel (May 10, 2010).

This Ballardian novel, Gospodinov’s third translation from Bulgarian to English, is about a Swiss health clinic for Alzheimer’s patients where each floor is designed to re-create a different decade from the 20th century. Things start getting wild when entire countries decide to start “living” in a particular decade from the past. (France, of course, picks the ’80s.)

The cover for Hidden Pictures by Jason Rekulak, featuring a person shoveling in the road in front of a parked car.

It’s a modern spin on The Turn of the ScrewThis story is about Mallory Quinn (a new nanny) who accepts a job as a caregiver for a five-year-old boy. The kid seems sweet at first (don’t they always?Then he begins to draw a picture showing a man pulling a body through the forest. As his drawings become more and more lifelike, Mallory wonders if he’s channeling something supernatural — something that could help solve a cold case.

Cover for The Stardust Thief by Chelsea Abdullah, featuring an amulet against a white background.

Loulie al-Nazari, a criminal magic smuggler with the enviable alias of “Midnight Merchant,” teams up with her jinn guardian, a prince, and a thief in this fast-paced fantasy adventure inspired by multiple stories from One Thousand and One Nights. Fans of S.A. Chakraborty’s Daevabad trilogy will enjoy al-Nazari’s race to find an ancient artifact with the power to annihilate every jinn in the world.

Cover image for Garden of Earthly Bodies by Sally Oliver, featuring a woman with her back exposed and hair growing along her spine. Also, potentially tentacles!

This debut novel, written by Sally Oliver is about traumatized women who grow dark and thick hair on their spines. Marianne, grieving over the death of her sister, joins other afflicted women at an experimental treatment center in the Welsh wilderness, where her past and present begin to overlap — and where her mind begins to fall apart.

Cover image for Ordinary Monsters by J.M. Miro, featuring a black bird flying against a backdrop of both clouds and the night sky.

This grim historical tale is set in Victorian London, Meiji-period Tokyo. Monsters of the OrdinaryThis book is about a British policeman who must protect two children with supernatural powers from an alcoholic man. At nearly 700 pages, it’s a door-stopper with a labyrinthine story and a large cast of characters.

Cover image of The City Inside by Samit Basu, featuring a colorful image of Delhi.

The metaverse will soon be moderated by Reality Controls such as Joey who manages livestreams from South Asian celebrities. They discover an elaborate corporate plot when Rudra, Rudra’s estranged son from a rich Delhi family hires her as an assistant.

The cover of Speaking Bones by Ken Liu, featuring a cornucopia in front of a garinafin skull.

Ken Liu returns with the fourth and final book in his Dandelion Dynasty series, best known for establishing the “silkpunk” genre with 2015’s Grace of Kings. This time, Pékyu Takval and Princess Théra must navigate two wars to settle the fate of the Seven Islands of Dara.

Cover of Drunk on All Your Strange New Worlds by Eddie Robson, featuring dark text against a pastel background partly obscured by a ripple effect.

Knives out meets The Hitchhiker’s Guide to the GalaxyThis locked-room mystery takes place in the future. The human translator to an alien diplomat is caught in a murder investigation. Eddie Robson’s written for British sitcoms and Doctor WhoSome humor can be expected in spinoffs.

The cover of What Moves the Dead by T. Kingfisher, a surreal image of a rabbit interspersed with a rabbit skeleton made of mushrooms.

Kingfisher’s retelling of Edgar Allan Poe’s “The Fall of the House of Usher” is a great way to refamiliarize yourself with the story before Mike Flanagan’s upcoming Netflix adaptation of the original text. This version involves mushrooms, “possessed wildlife,” and a bunch of ghosts that may not actually be ghosts.

Cover image for A Half-Built Garden, which features the Earth at a distance surrounded by dandelion seedheads.

Emrys’ first novel since the Innsmouth Legacy series is a first-contact story driven by climate change. Our species is faced with a dilemma in 21st-century America when aliens arrive on the Chesapeake Bay to offer humanity a way out of a dying Earth.

Cover image of The Sleepless by Victor Manibo, featuring three pairs of eyes in neon lights that are gradually opening.

The SleeplessVictor Manibo August 2, 2008

How would you feel if you didn’t need to sleep at all? Sounds great, but it doesn’t pan out so well in Manibo’s debut novel. A “sleepless” journalist named Jamie Vega gets ensnared in a murder investigation, and the worst part is, he can’t remember anything from the night of the crime. After setting off on his own investigation, he discovers the truth behind sleeplessness, and well, it can’t be good.

Cover image of The Book Eaters by Sunyi Dean, featuring a diorama image of a parent and child and a house, all made of pages from a book, while standing on a book.

The title isn’t a metaphor; this novel is about people who eat books. The family, which they call The Family, lives on Yorkshire Moors and punishes children with dictionaries. They actually survive on the stories they tell. Within the books, which becomes a problem when one of them gets a taste for the best story vessel of all — the human brain.

Cover image of 40 by Alan Heathcock, a bright image with a red angel-like figure inside the digits 4 and 0.

40Alan Heathcock, August 2

A civil war between the U.S. government and a faction of revolutionary fundamentalists is the setting of Heathcock’s bold and weird novel about faith, family, and the future. When a young soldier named Mazzy Goodwin awakes in a crater to find wings sprouting from her back, she’s not sure if it’s a miracle or a biological experiment, but it gives her the opportunity to become a wartime leader and find her missing sister.

Cover image for Face by Joma West, an abstract combination of colors that creates the shape of a face in the middle.

FaceJomaWest (August 2)

Skin color is a choice in Joma West’s debut novel, courtesy of some Gattaca-level genetic technology that allows everyone (who can afford it) to design their own “perfect” faces. At the same time, all skin-to-skin contact is considered obscene, and one wealthy family’s quest for happiness turns into a nightmare worthy of a Black Mirror episode.

Cover image of The Women Could Fly by Megan Giddings, a vibrant blue image that depicts a tree and the sun.

A brilliant writer of Lakewood imagines a dystopia where witches are real — a fact that the authoritarian State uses to criminalize women’s singlehood after the age of 30, and to put Black women on trial for the slightest suspicions. When Josephine Thomas goes on a quest to honor her mother’s last wish, she discovers a community living under very different rules.

Cover image of The First Bindin by R.R. Virdi, featuring a person climbing a mountain with a fantasy background.

The First Binding is a South Asian-inspired epic fantasy that’s been compared to Patrick Rothfuss’ Name of the Wind, and for good reason: it’s an 800-page series-starter told in the first person by a legendary, sharp-tongued warrior who wields magic. The stunning cover art doesn’t hurt, either!

Cover image of Meet Us by the Roaring Sea by Akil Kumarasamy, a grid image with a back background and assorted images of geography within each grid.

This novel by the 2018 short story collection author is genre-defying The Half GodsIt is the story of Ada, an AI-trainer in the very near future. Ada translates the Tamil manuscript that was written in 1995 by a group female medical students. The story alternates between Ada’s encounters with future technology and the medical students’ attempts to suffer as much as possible in order to understand their patients.

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