Zelda: Tears of the Kingdom’s sign guy Addison is a little too real

What’s with Addison? The guy who puts up the signs? Zelda: The Tears Of the Kingdom — you’ve surely met him already. He’s a lanky, pin-headed dude with a dorky bowl cut, sweating to hold up an advertising sign. Addison is the first person you’ll see in Hyrule. He may have been in Hyrule Castle Town Ruins at first, but he will be there wherever you are in Hyrule. He’s on an epic quest of his own — only in Addison’s case, it’s not saving the princess, it’s sucking up to his boss.

Addison’s boss is Hudson, president of Hudson Construction. Bolson is also a good example. Breath Of The Wild, Hudson will help you build a house later in the game, but from the moment you arrive in Hyrule, you’ll feel his presence. After the Upheaval, Hudson is generously sponsoring the rebuilding of the kingdom by leaving caches of building materials everywhere (which you can use to turn into weird vehicles or Korok torture devices to your heart’s content). And Hudson wants everyone to know about his generosity, so he’s sent Addison out there to erect a sign with his face on it next to almost every cache.

Addison has always been one of the characters I have loved in Tears of KingdomFor several reasons. He’s absurd and funny, and he’s the pretext for some simple, fun little physics puzzles. If he lets go of the sign, it’ll fall over, so it’s up to Link to prop it up with a glued-together Ultrahand assembly before Addison can lash it in place. The signs are all different shapes, which not only presents different challenges, but can also be used as clues to help solve them. The puzzles are lovely little palate-cleansers that break up Link’s travels, without getting as elaborate or messy as helping a lost Korok get back to his friend.

Addison’s refreshing in another way, too. He’s a reminder that Zelda games, as fantastical and mechanically ornate as they are, are also about real life.

Image: Nintendo EPD/Nintendo via Polygon

The Zelda series has long been Nintendo’s foremost outlet for saying something about the world we live in. Majora’s MaskThe most well-known example is one that has a clockwork opera ticking at its center. But think of any Zelda town and you’ll find memorable examples of the petty jealousies, sad dreams, and quirky peccadilloes of the townsfolk. Keep in mind Skyward Sword’s preening meathead, Groose? Ingo the undervalued employee at Ocarina Of Time’s Lon Lon Ranch, who sells his lazy boss Talon out to Ganondorf? This series has dozens of little comedies that make fun of everyday human vanity.

Addison and his signs are a classic example of Zelda’s pocket-sized satire. He’s an overeager, hapless worker, exploited by the hubris of his boss. The image of him straining to hold up the huge, imbalanced sign couldn’t be more pointed. Hudson can’t do a good deed without using it as a vehicle for self-promotion — you’ve got to think he has political ambitions — but Addison, so desperate to please, shares some blame for his own humiliation. There’s surely a specific dig intended at sycophantic Japanese workplace culture here, but anyone can relate.

It’s a tart little vignette, perfectly reinforced by the puzzle gameplay. The contraptions you come up with to prop up the sign are invariably huge, wasteful, and elaborate; Addison’s eventual fix, meanwhile, is sloppy and looks like it won’t last two minutes. The two of you step back and admire your handiwork — all that over-engineered effort in the name of nothing but corporate vanity. Then, it’s on to the next one. In Hyrule, the world has ended, a chasm has opened, and the sky is literally falling — but life, and work, go on.