Video game actors vote to authorize strike

It’s not hard for most people to crawl on all fours, Zeke Alton, known for voice acting and motion capture in games like Ratchet & Clank: A Rift Apart, Saints Row” World of WarcraftPolygon. But what is hard — an Olympic-level feat, according to Alton — is doing that for four hours straight. When it comes to the safety of performers, video games lag behind Hollywood in terms of standards.

“Unlike a TV stunt, there’s no change of wardrobe, change of lights, or setup,” Alton said. “It’s fall, dive through a table, and then do it over again for eight hours straight.”

Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) video game performers are coming into negotiations on Tuesday for a new contract that addresses wage increases, AI use, and ensures basic health and safety precautions like breaks and stunt coordinators on set, something that Alton said isn’t always the case for video game performers.

It’s why video game voice actors with SAG-AFTRA have signaled they will strike, if necessary. SAG-AFTRA leadership requested a vote on strike authorization before upcoming talks that begin Tuesday. The “yes” vote doesn’t mean a strike You can also find out more about us on our website. happen, but it lets the 10 video game companies bargaining with the union know that they’re serious about a fair contract.

“One year into this three-year contract cycle and we feel the need to escalate and apply a bit of extra pressure so they’re motivated to engage in that process to get us to a fair deal,” voice actor and negotiating chair Sarah Elmaleh, known for her work in Hi-Fi Rush – Gone home The following are some examples of how to get started: Gears 5 Tell Polygon.

With the authorization to strike in hand, union officials are looking for fair contracts and minimum wages for about 2,600 actors who perform under the Interactive Media Agreement every year. SAG-AFTRA active members were eligible to participate in the vote. They would also be affected by their decision to appear in a video game. According to the union, 14,681 SAG-AFTRA Members have been under Interactive Media Contracts during their entire careers. In total, 34,687 SAG-AFTRA members voted — that’s 27.47% of eligible members.

Activision Blizzard Electronic Arts and Epic Games are among the ten video game companies that will resume negotiations from Tuesday to Thursday. Audrey Cooling, representing the video game companies, said “tentative agreements” have already been reached for more than half of the Interactive Media Agreement contract proposals. SAG-AFTRA, however, says that there are still several issues to be resolved.

In video games, actors give the characters voice and life. The whole job is based around “expression of performance through our voices and our likenesses,” bargaining committee member Zeke Alton told Polygon. “More often than not, we license that voice and likeness as work for hire for a company to put into their product so it generates revenue.”

The problem of AI, he said, is that companies would be able to create new performances without the actor — something that removes consent, transparency, and is a potential threat to the profession itself. SAG-AFTRA performers for video games aren’t asking for a ban on technology in general, but they do ask that there are safeguards put in place to ensure actors can be involved. The use of AI is something voice actors are already seeing companies try to get into contracts, something that’s been a sticking point for other striking Hollywood unions.

“We’re asking for three things,” Alton said. “Consent for use, transparency around how it’s used, and compensation for that use. These are all reasonable to us. Not only do they protect us as performers, but writ large across the labor force in society, these things are needed for every worker to ensure they protect who they are as a person, and that we are not all just owned by corporations.”

SAG-AFTRA’s Interactive Media bargaining unit is also looking to secure health and safety measures that Alton and Elmaleh said are standard elsewhere in Hollywood — five-minute breaks per hour, for instance. Some of the problems arise because video games don’t always have a professional director taking on the role of managing actors; “Oftentimes you’re taking direction from an animator or a coder or a writer who doesn’t understand that a person can’t crouch and walk for 20 minutes straight,” Alton said. This contract was designed to safeguard video game actors from injury.

“We’ve seen bloody fingers, repetitive stress injuries from lifting realistically weighted AK-47s or large guns to do turns and all these atomized pieces of these animations that string together,” Elmaleh said.

SAG-AFTRA has scheduled the next round of talks with video game producers until Thursday. What comes next is unclear; the union’s been negotiating for a year already, but the strike authorization is now in SAG-AFTRA’s back pocket should things stall. Again, it doesn’t necessarily mean a strike will happen, but it’s on the table — a tool to show how serious members are about the contract.

“What every person should know is, watch this because you’re next,” Alton said. “We know, writ large, that corporations have been really good at vilifying unions in the last couple of decades. People have forgotten what unions are for, that without a union you wouldn’t have a weekend.”

Elmaleh added: “[Companies] will be watching this space to see what people are willing to pay for, what they’re interested in playing, and that their own workers are showing solidarity. If the leverage is everyone else around them, it makes a difference.”