The Scarlet Witch’s new costume is packed with Easter eggs for her comics history

Wanda Maximoff (aka The Scarlet Witch) has never been able catch her breath for many decades. Whether in comics, TV, or movies, there’s seemingly no medium where she doesn’t suffer horribly, driven to madness by her incredible power and haunted by the sins of her past.

The New Scarlet Witch That is what ongoing aims to change. Written by Steve Orlando with art by Sara Pichelli and colorist Matt Wilson, this series features a Wanda who is finally at peace with herself, and she’s getting back into the superhero life. With a new costume design by Russell Dauterman, who also draws the book’s main covers, the Scarlet Witch is flying into action with a fresh outlook on life and a renewed commitment to help people in need.

Read on for a preview of not only what Orlando and Pichelli have in store for the comic, but also all the references to Wanda’s comic book history that Dauterman managed to pack into her new costume.

Orlando’s first Marvel work was the Wanda-centric Darkhold The miniseries ended with Wanda escaping the evil influence Chthon, her Elder God, who gave her the power she had as a child. That story ended around the same time as Wanda’s reckoning for her crimes against mutantkind in Trial of Magneto, offering a clean slate for the Scarlet Witch’s future.

“Two of the major crosses that she’d been bearing for a long time had finally been lifted, so it really felt like a new moment,” said Orlando. “We talked about setting her up in a new place where she could put her power to service for all the people that she’s realized she could have helped if she had actually taken the time and and done the work to reckon with herself sooner.”

Dauterman was able to create a costume to honor Wanda’s many different looks. “I wanted to mix the best bits of past Scarlet Witch looks with new elements to make something fresh, magical, and superheroic,” said Dauterman. “I wanted a costume Wanda could wear going forward that hopefully represents this new turn in her life, while recalling her iconic looks and still feeling like Wanda.”

A character design document from Russel Dauterman, featuring the Scarlet Witch’s new color scheme, rings, boot details, crown, and flowing wavy hair that gets longer when she uses magic, trailing off into a red starry expanse.

“There are elements in there from her classic design, the MCU, the Kevin Wada design, and her Force Works costumes,” said Dauterman, who has diligently considered every costume detail. “The rings were inspired by the jewelry she wore in her George Pérez look. The moon motif is inspired by her ’90s-era costume, some of her recent storylines, and a line from the Vision and the Scarlet Witch miniseries. A pregnant Wanda says if she’s having a girl, she wants to name the baby Diana — after the goddess of witchcraft and the moon.”

The biggest change is replacing Wanda’s cape with her starry hair, which leaves a long trail behind her when she uses her powers. “The hair offers an opportunity for us to play with composition,” said Dauterman. “Something that can convey movement and lead the eye around the page, which is always helpful with static images.”

Dauterman took Wanda’s role as a superhero in Marvel Universe very seriously and designed a costume that was easily adapted by other artists. “The design needs to work for Sara and Matt on interiors and also for anyone else who might draw Wanda going forward. So I tried to balance having enough interesting detail with keeping the silhouette simple and the specifics straightforward.”

The Scarlet Witch’s crown proved to be an especially valuable design element, influencing Dauterman to find new ways to emphasize Wanda’s supernatural side. “I love that there’s nothing stereotypically witchy about the crown, but it still gives a witch vibe. I tried to move that mystical feeling forward with the starry effect on Wanda’s skirt and hair — nodding to her son Wiccan’s Jamie McKelvie-designed costume and her sister Polaris’ look in the ‘Dark Seduction’ era — a visual signifier that this is a magical character.”

Bringing in design elements from Wanda’s relatives taps into a central theme of the book: Wanda’s relationship with her family, both biological and chosen.

“She has one blood brother [Quicksilver], who’s a science experiment like her,” said Orlando. “She has an adopted sister [Polaris]She is also a mutant. Her ex-husband [Vision] is a robot with a late wife that was made from Wanda’s brain patterns, and her ex’s late son and living daughter are kind of hers and kind of not. In a traditional sense, they’re not, but they were made from someone who is based on Wanda. There’s a strangeness to Wanda’s day-to-day life that is something we’re really excited to explore with those she surrounds herself with and celebrate.”

kat dennings as darcy in thor the dark world gasping like she just found out she was in thor the dark world

The series adds a new member to Wanda’s inner circle, and she’s a MCU fan-favorite making her comic book debut: Darcy Lewis, played by Kat Dennings in the Thor film franchise and WandaVision. “This is the 616 version of this character, who brings the same type of perceptions to the book, but also fits right into what’s going on with Scarlet Witch, with the magic side of the Marvel Universe,” said Orlando.

“Darcy’s there to lightly chide the absurdities we love of comic books, especially in a character like Thor,” said Orlando. “Wanda speaks casually about a life that is absurd and strange, and it’s normal for her. However, if you take a look at her family and what she does it can appear quite bizarre. Darcy essentially gives a voice to the audience in the same way that Kat Dennings’ character does.”

Darcy will be hanging around Wanda’s new place of business, a magic shop that helps her play a more active part in her community. “One of the things we wanted to do was show that, despite her immense power, she isn’t always off battling threats and menaces that are relatively hard to relate to,” said Orlando. “It’s really back to what makes Marvel characters iconic. These are people who exist outside of your windows. No matter what their power level was, they were also someone you could see in their civilian guise at the coffee shop, or maybe they can’t make rent, things like that. Even someone like Captain America — for a long time he was living in a shit apartment in New York.”

Planting roots doesn’t mean Wanda won’t be exploring the wider Marvel Universe. She’ll be visiting Pichelli’s home country of Italy, and this exclusive first look at Scarlet Witch #2 reveals that Wanda is heading into the Dreamscape with her sort-of-but-not-really daughter, Viv Vision. Wanda’s near-infinite power means that she can go pretty much anywhere, including an upcoming journey to Sub-Atomica in issue #3 that will be drawn entirely in splash pages in an ode to the classic fantasy comic Prince Valiant.

The Scarlet Witch looks over her shoulder as she uses magic to swirl a shop into existence in Scarlet Witch #2 (2023).

Quicksivler, Wanda, and Darcy in a bookstore in Scarlet Witch #2 (2023).

Quicksilver gets takeout and he and Wanda chat as Darcy looks on in Scarlet Witch #2 (2023).

Magic stuff happens between Wanda and a blue-skinned man on some steps in Scarlet Witch #2 (2023).

A huge explosion of Wanda’s magic around a foe in Scarlet Witch #2 (2023).

The Scarlet Witch and Viv Vision fly through a violent collage of mirror shards depicting the Vision family on the cover of Scarlet Witch #2 (2023).

Orlando hasn’t forgotten all of those years of Wanda’s suffering, but they aren’t holding her back anymore. They’ve made her more assured than ever. “She has not had a perfect life,” said Orlando. “She has had to overcome and struggle. That’s where real strength comes from. That’s where real power comes from. Who among us hasn’t had to reckon with our own mistakes, our own inner darkness? Whether it’s large-scale — probably small-scale because we’re everyday people — it’s still there.”

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