The Legend of Vox Machina made one of Critical Role’s biggest moments even better

[Ed. note: This post contains spoilers for episodes 1-8 of season 2 of The Legend of Vox Machina, and episode 60 of season 1 of Critical Role.]

Over the second season, home and family dominated. Legend of Vox Machina. That’s no surprise — at the top of the season, Vox Machina is forced to abandon the home they have cultivated outside of Emon, pushed out by the rise of the Chroma Conclave. In episode 5, “Pass Through Fire,” Keyleth reunites with her father and her people, and is reminded of her mother’s legacy. Episode 8, “Echo Tree,” explores the many ways that home and family can shape people — in particular, the way going home affects Laura Bailey’s character, Vex’ahlia.

Home has long been a sticking point for Vex, who has seen every home she has ever had ripped out from under her, from her mother’s house in Byroden to her home with Vox Machina. Episode 8 takes viewers through two very different homecomings, as Pike (Ashley Johnson), Scanlan (Sam Riegel), and Grog (Travis Willingham) journey to Pike’s grandfather’s house and Vex, Vax’ildan (Liam O’Brien), Keyleth (Marisha Ray), and Percy (Taliesin Jaffe) are all trapped in the Fey Realm, looking for the Fenthras bow. Within the eighth episode, Vax and Vex return to their former house in Syngorn — and a meeker, more uncertain version of Vex emerges, as she is brought face-to-face with her father, Syldor Vessar.

We know exactly what we can expect of Syldor, played with extreme arrogance by Troy Baker. From flashbacks, we already know that the twins had a terrible childhood — in “The Sunken Tomb,” we see Syldor refer to his children as mistakes due to their half-elven blood. When Vox Machina meets Osysa the sphinx in episode 2, she calls out Vex, specifically, for “hopelessly seeking” her father’s love, long before they’re even reunited.

In another fantasy story — or even for another member of Vox Machina — the coldness with which Syldor treats his children could be something that makes Vex cold in return. But “Echo Tree” shows us how much Vex has grown around the thorny roots of her childhood.

As Vex and Vax wait for their father to arrive, they’re greeted by Devana, Syldor’s new wife — and their new half-sister, Velora. Vex, an abandoned child, has no right to show generosity towards Velora in this household full of bad memories. Yet, she kneels and removes her signature owlbear feather from her braid and places it in Velora’s hair, greeting her warmly.

Image: Prime Video

This fits with what we know of the character, even if you’re only a fan of the show and not the actual play. Vex’ahlia is not on the surface someone who is in any way fragile. She’s bold, confident and unreserved about her desires. Sometimes she is stubborn or prickly. She hides her big heart beneath all of the bravado. It was big enough for her to rescue an abandoned bear cub. She’s also strong enough to help her friend and brother, but kind enough that she welcomed her half-sister.

Vex still feels uneasy despite Percy’s initial reassurance. As they discuss Vox Machina’s role in handling the threat of the Chroma Conclave, Syldor scoffs at the idea that the twins have done anything of note. “The very idea of Vex’ahlia and Vax’ildan standing up for the greater good is, well, rich.” Not only is Vex resigned in the face of Syldor’s evident dismissal, she later defers to his anger and even chides Vax when he attempts to rebuke him.

It’s awful to watch Vex wilt beneath Syldor’s snide comments, especially when it’s set against Pike’s far warmer homecoming with her family earlier in the episode. Vox Machina gets ready to go, but Syldor has a decree for them that will let them move around the city. He knows that the bow needs safe passage. Percy quickly informs him of the need to amend the scroll. “It’s Lady Vex’ahlia. Lady Vex’ahlia, Baroness of the Third House of Whitestone and Grand Mistress of the Gray Hunt.”

In the actual play, it’s a Big moment. Episode 60, “Heredity and Hats,” was filmed during a live show, and as soon as Taliesin Jaffe, playing Percy, invokes the title, the room erupts. Laura Bailey’s reaction is one of shock, as Travis Willingham grabs at her shoulder with surprise. In the animated series, though, Syldor immediately dismisses the gesture, tossing aside Percy’s kindness. And that’s when Vex finally stands and fights back. “Don’t you dare talk to him like that! We came here seeking aid, and you insult my friends?” she exclaims. Syldor, smugly responding to her, continues. “We won’t fail, which is more than I can say about you as a father.”

Syldor does not want his daughter to be sorry. He demands Syldor’s display of worthiness. “Show me that bow and I will give you the welcome you think you deserve.”

Vox Machina’s strength has been, especially, the family-found aspect of their friendship. This is a reflection of the bonds that bind them together. Essential RoleThey bring together the entire cast and help make this play so great. Vex’s family, all that she considers her family to be, is nearby at all times — and they accept her for who she is and they support her, which is far more than can be said of Syldor, whose prejudice blinds him to his children. Though Vex has conflicted feelings about her outburst — telling Percy she feels like somehow “it hurt me more” — she still finds warm support she could never find with her father.

And so, when the party manages to come across the Fenthras bow later in the episode, the corrupted archfey that possesses it makes the same mistake that Vex’s father makes. He presumes she’s broken and seeks to seize on her feelings of inadequacy. “Being abandoned by love can be liberating,” he says. “You’ve been a good daughter. You’ve tried. But it will never be enough — you will never be enough.” He promises her the care and companionship her father never gave her.

For a second it looks as if it might work: “If I could pull the blood of him from my veins and give it back, I would,” Vex admits. It’s another deviation from the actual play — in “Heredity and Hats,” Vex tells Syldor himself that she wishes she could rip the blood of him away. In response, Syldor (played by Matthew Mercer) gives a kind of strangled apology, for the twins’ upbringing and for the prejudice he carries.

Image: Prime Video

But the animated series has done an amazing job at allowing all the characters in the show to stand on their own feet — in particular, they’ve been writing the women of the show beautifully. The second season has focused on the character’s sense of self and the way they relate to the characters they now are with the hero they will become. Saundor asks Vex for her heart after he has explained to him the different ways he can make her whole. In response, Vex pushes him away and informs him: “My heart is someone else’s.” It’s a small choice, but omitting Syldor’s apology allows Vex’s self-acceptance to take center stage, rather than Syldor’s reaction and half-measure, too-late kindness.

Syldor and Saundor fail to see that Vex isn’t alone. She is not broken beyond fixing, and she is certainly not unworthy — her friends and her brother understand this, even in the moments when she cannot. When she breaks away from Saundor’s compulsion, Vex chooses to believe that not only is she worth loving, but that her own heart is not beyond repair. Vex isn’t so broken that she shouldn’t love another person.

Vex is all she can be in the fight against Saundor. She stands tall and proud, even though Saundor breaks down her bow. After apologizing to him for his cruelty, she killed him with Percy’s arrowhead. It was the same one Percy used while trying to console her about her father. And then she claims the Fenthras bow, signaling the fact that Vox Machina is one step closer to accomplishing their goal, and is increasingly worthy of the task they’ve undertaken.

By the end of the episode, Vex admits that she’s not ready to face Syldor again. She doesn’t feel any change or increase in worth thanks to her bow. Instead, she acknowledges that he won’t see her differently no matter what she does. It’s a hard, horrible thing to acknowledge, but it means she’s no longer contorting herself into the shapes she believes others want her to be in. She draws strength from the people she’s made, the families she’s cultivated and kept and herself.