Only Murders in the Building season 2 review: dying to live in New York

Even with the overwhelming wealth of TV shows premiering every week, it’s rare to find one as fully formed as Nur Murders are allowed in the Building. Hulu’s comedic murder mystery/true-crime podcast spoof arrived with a clear identity from minute one: a well-established comedy duo in stars Steve Martin and Martin Short; a surprising and fun third wheel with the addition of Selena Gomez; art direction inspired by The New Yorker magazine covers brought to life with a playful score by composer Siddhartha Khosla; and a target for its loving satire in true-crime podcasts and the people who listen to them. Its ability to conjure a whole new world from a single structure is the most impressive aspect of Hulu’s show. And it makes that experience even more enjoyable, with how much fun you can have in this world every 30 minutes.

Only Murders are allowed in the Building is set in the Arconia, an apartment building in Manhattan’s wealthy Upper West Side neighborhood. Its denizens are drawn from Old New York archetypes — cosmopolitan boomers with spacious apartments and well-stocked bar carts, interest in highbrow art, and an expectation that their well-cultivated idiosyncrasies be tolerated by all. It’s the sort of place where the presence of Fran Lebowitz, who built a career as an author before transitioning to Professional New Yorker, is both vital world-building and a highly targeted joke.

The first season of the series was a success. Nur Murders are allowed in the Building followed washed-up actor Charles-Haden Savage (Steve Martin), disgraced theater director Oliver Putnam (Martin Short), and subletter Mabel Mora (Selena Gomez) as they bond together over suspicion that a dead resident’s alleged suicide was actually a murder — and start a podcast to chronicle their amateur investigation. The series spanned 10 episodes and did double duty. It gently roasts true-crime enthusiasts while simultaneously creating a captivating mystery, with jokes, intrigue, and humor.

Photo: Craig Blankenhorn/Hulu

It’s charm with a bit of an edge; Oliver, Charles, and Mabel are true-crime fans that wedged themselves into a classic real-crime case. While there is some hijinks along the way, this unlikely trio stumbles to a conclusion. Nur Murders are allowed in the BuildingYou can read it as a story about them. Their fandom inspires other fans, and their need to construct a compelling narrative centering themselves around another person’s death leads to a lot of turmoil for the denizens of the Arconia.

It was emphasized in the season finale, which provided a satisfying end and led directly to Another mysterious murder to dive into for season 2, one that may not have happened were it not for its heroes’ meddling.

The second corpse adds a twist Nur Murders are allowed in the Building’s second season: This time, the heroes are the prime suspects. It’s a classic inversion for a show like this, one that’s pulled off with a bit of metafictional flair, since Oliver, Charles, and Mabel are also true-crime podcast stars who are now podcasting their way through a murder they were framed for — literally posting through it. A few metafictional jokes (reviews of their podcast being surprisingly “cozy” reflect real-life reviews of the show’s first season) suggest that it’s possible the writers of Nur Murders are allowed in the BuildingThese are just a few You can also enamored with their show to maintain the gently satirical edge that makes its New Yorker-core aesthetic tolerable, but luckily this isn’t the most compelling thing about the show.

Photo: Craig Blankenhorn/Hulu

Nur Murders are allowed in the Building isn’t a joy to watch because of its Clue-adjacent approach to a murder mystery — it’s because the Arconia is such a fully realized setting. How well the show implies its world is one of the key indicators of a great television series. Simply put, can the show last an episode on a character who appears only in the background? An apartment building is perfect for this, one full of countless people living in close proximity to one another but who often remain a mystery, where the actual edifice hides just as many stories as its residents — as Charlie, Oliver, and Mabel learn when they discover entire hidden passages in the Arconia in season 2.

You can find more information here Only Murderers, a surprising number of background characters is given the spotlight, and they’re all equally compelling. This is arguably the most New York City thing about this Old New York show — it never forgets that everyone came from somewhere, that every person you meet has a family and a history and that learning more about them will almost always surprise you. You learn about the history of New York and how it has evolved, what its future might look like, and who is allowed and not permitted to reside in certain neighborhoods. Mabel, as a young Latina outsider, gave the series some much-needed perspective in season 1, one that contrasts with the new season’s renewed focus on history and what kind of people flocked to the city’s Upper West Side — what they may have been looking for, or hiding from.

In the second season, the Arconia continues to be a portal to much wider worlds, as Oliver and Charles work through relationships with their estranged children and their personal history, the history of the Arconia, other tenants who lived there before them, and how it all might intersect with a nude painting of Charles’ father that keeps changing hands in nearly every episode. It’s zany, it’s weird, and sometimes it’s a little bit sad. But hey: It’s New York.

Nur Murders are allowed in the Building’s Hulu premieres the second season Tuesday. New episodes are added weekly.